This is the second book I’ve read by Hoover. When I saw the description for this book I felt compelled to read it. I enjoy stories centered around a mother and daughter trying to figure things out. Add in some tragedy and I’m all for it. I have never really been drawn to Hoover’s books but I thought maybe this will be the that helps me understand her appeal to so many.
Reader, this was not the one. This review will be spoilery so be forewarned. A big chunk of this review will be under a spoiler tag.
Before I get to the spoilery parts, I want to know why Hoover seems to isolate her heroines. Is it just in the two books (All Your Perfects and Regretting You) that I have read that the main heroine doesn’t have any friends? Does anyone care that this heroine doesn’t have another female character to even talk to in order to try to pass the Bechdel? Does it help build the angst? My theory is that this is a common theme for her stories and it helps the heroine stay stuck in their own bullshit for far too long.
Morgan is the adult heroine of this book. When the book opens up Morgan is 17 and with her boyfriend Chris, his best friend Jonah, and her sister Jenny. Morgan is feeling empty in her relationship with Chris. But seems to have a connection with Jonah. He hates watermelon jolly ranchers so he gives them to her, they are her favorite. But then she discovers she is pregnant. We flash forward to the now. It’s Morgan’s birthday. She is happily married to Chris. Morgan and Chris have a daughter named Clara. Jonah recently rejoined their circle of friends. Jenny and Jonah have a baby together, the result of a recent one night stand. Jonah has just moved back to town to be a co-parent with Jenny and she even mentions they may get married. After chapter finishing chapter 1, I did a search for Jonah’s name to see how involved he would be in the rest of the story, the results gave me over 600 instances. I was intrigued to see where/how that connection would continue.
Clara is 16 and suffering from typical teenage drama. There is a boy named Miller who maybe likes her but maybe he doesn’t. There is a lot of back and forth between them. At his core, Miller is a good young man, but I don’t read YA books and seeing them occupy so much of the page in this book was a lot for me to handle. One of the plot points is that Clara “loses her virginity” and nothing gets me fired up quite like that phrase. Virginity is a construct and can we stop with the notion that it is something tangible to be lost or given?
Back to the grown-ups. The day after Morgan’s birthday tragedy strikes the family. This is mentioned in the blurb copy.
After the tragedy Morgan and Clara struggle a lot. There aren’t enough conversations being had. We all grieve differently. I can attest to this. And it is hard. But Morgan not communicating in any meaningful way with her daughter was annoying. Clara rebels a little and it seemed age and grief appropriate. Before the tragedy Morgan was feeling lost and like she had lost herself a little. This comes up a little after the tragedy but even after some things are resolved it just kind of goes away. Once she is in love again it’s almost as if she doesn’t need to build a life that is hers. This is not the kind of storytelling I enjoy.
The story was compelling enough for me to finish it. But not without some borderline ragey DMs to friends. Hoover seems to have found her niche writing emotionally manipulative stories and found a large audience that enjoys that. The book centered on the angst and to me it didn’t feel like growth for the adult characters in the book. I just double checked and ‘Zon has this tagged as “romantic fiction” and “women’s fiction” so perhaps I am holding it to a standard that I shouldn’t. But even at not a true romance, the romance in this story was based on the author telling and not showing me enough to believe that this characters could be in a long term healthy relationship.
Did the book ever address the main question I would have had: if Jenny and Chris have been having a long-term affair, are we sure the father of her baby is Jonah not Chris?
I tried a couple of Hoover’s books and had the same response as you: the agony and isolation are endless. She reminds me a little of Aly Martinez—less a romance writer, more a women’s/topical fiction writer. I always like some angst in my romance reading and I’m not opposed to a good serving of drama, but when things tip over into melodrama (particularly unrelenting, almost sadistic, melodrama) my response is, “Check, please!”
DiscoDollyDeb, It was very predictable plot line. And it is addressed with out a final result, of you get what I’m saying. Lol
I haven’t read Martinez for YEARS. I kind of shifted away from these over the top melodramatic books. Like I know the genre wouldn’t be the same with out some drama and conflict but I can’t handle it when it’s just piled on.
very good book
This was my second CoHo book and, as seems to be the trend lately, I’d heard praises left and right. I couldn’t even complete it halfway, and I’m usually not one to leave a book unread no matter how disappointed I am. The fact that I couldn’t fully read it is a testament itself to how disconnected I felt. I understood the characters’ struggles for the most part, but it all seemed a little over the top. And while I understand that not all families are the same – they all might not sit down and hash their issues out, especially a daughter who is trying so hard to end up unlike her mother, the storyline seemed exaggerated and off-putting.
So – halfway thru the book, I thought I had figured out there would be a twist where we would find out Chris was Millers dad – just because they glossed over Millers family other than dead mom and dad in jail and Chris was so inexplicably opposed to Clara hanging out with Miller which confused everyone else. So I kept waiting for that… but it never happened so… not sure what the whole book was about. You knew everything in the beginning and the only real question was whether Clara would find out which obviously she would at some point. The writing was good but there was no crescendo – didn’t even get any other info about the affair.